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Doctor Leonard "Bones" McCoy / DeForest Kelley
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DOCTOR LEONARD "BONES" MCCOY |
Nicknamed
'Bones' by his longtime friend and commander, Captain James
T. Kirk, McCoy replaced Dr. Mark Piper as chief medical
officer in 2266 on one of the ship's five-year missions but
clearly became the most renowned. By that first year he had
already won the commendations of Legion of Honor, awards of
valor, and was decorated by Starfleet Surgeons.
His temperament was sometimes argumentative, a cynic's outer
crustiness masking deep caring beneath the surface. His "old
South" roots led to the old-time physician manner of
doctoring, with a Southern accent that was most apparent
when under stress. He distrusts transporter technology and
travels by shuttlecraft whenever possible.
McCoy was married once and later divorced, a relationship
never discussed except for his one daughter, Joanna, who
later graduated from nursing school. In the era before
ship's counselors, McCoy played his role as psychologist
expertly to the hilt — especially for the ship's two senior
officers. As such an emotional watchdog he was not afraid to
take on his captain, but it was his running battle of wits
with Mr. Spock which became legendary. Mr. Spock showed his
true feelings, though, as when inviting McCoy down to Vulcan
for his "wedding" and in storing his katra with him
before a known suicidal saving of their ship before the
Genesis detonation.
McCoy contracted the always-fatal xenopolycythemia and
retired from Starfleet in 2369 to spend his remaining days
on the asteroid ship, Yonada, and that world's high
priestess, Natira — whom he soon married. By exploring
Yonada's computers, Mr. Spock found a cure for
xenopolycythemia and McCoy left Natira to return to the
service. Earlier, McCoy had been infected with the strange
'aging' virus that infected the Gamma Hydra IV landing
party.
After the U.S.S. Enterprise's triumphant return from
its five-year mission, McCoy retired from Starfleet, grew a
beard and went into virtual seclusion with a rural practice.
Jackson
DeForest Kelley was delivered at home in Atlanta, Georgia by his
uncle, a prominent local physician. Kelley lived all over the South
as the son of Clara Casey Kelley and Rev. Ernest D. Kelley, a
Baptist minister.
After singing in the church choir, Kelley discovered that he enjoyed
singing and was good at it. Eventually this led to solos and later
performing on radio station WSB in Atlanta. As a result of his radio
appearances, he won an engagement with Lew Forbes and his orchestra
at the Paramount Theater. It was Kelley's first taste of being an
entertainer, and he liked it.
Kelley moved to Long Beach, California after he had saved enough
money working as an usher in a local theater to live with his uncle.
Kelley found that he loved the sun, surf and excitement of Long
Beach and told his parents he was going to stay and get a job.
Mopping floors soon gave way to operating an elevator in a hotel
near the ocean.
One day, Kelley was sitting in a restaurant when Rohn Hawke, who was
doing local theater, came over and asked if he had any acting
experience. Hawke worked with him to smooth out his Georgia accent,
wanting Kelley to appear in a play he was directing. He auditioned
and won the part. During the run of the play, a talent scout caught
his performance and felt he had a future in acting. In the evenings,
Kelley continued to appear with the Long Beach Theater Group to gain
experience, while operating an elevator and 'roughnecking' for
Richfield Oil during the day. Sometime later, Kelley and some
friends from the group started writing and staging plays at a local
radio station. This led to other radio work for him.
He was tested for the baby-faced killer in "This Gun for Hire" and
was assured, after 13 takes, that he had the role. Unfortunately, it
ultimately went to Alan Ladd and Kelley went back to the Theater
Group.
In 1942, Kelley appeared as a beach bum in "The Innocent Young Man"
with the Long Beach Theater Group. His co-star was a blonde,
blue-eyed beauty named Carolyn Dowling. Toward the end of the play,
Carolyn was to hand him a five dollar bill and say, "Here, Bill,
take this money and buy yourself a drink." Carolyn used her own five
dollars, with Kelley giving it back at the end of each performance.
When the play closed, Kelley "forgot" to return the money and called
her from the bar where he was having a drink. "I've got your five
dollars, so you'd better come down here and help me spend it, or
it's all going to be gone."
Their budding romance was interrupted by war and Kelley went into
the Army Air Corps in New Mexico, where Carolyn visited often.
Finally he was transferred to Culver City to act in a Navy training
film. That was when the couple decided to get married. They found a
judge that married servicemen free of charge, bought two Indian
rings for 25 cents and were married on September 7, 1945.
A Paramount talent scout spotted Kelley in the Navy film and it led
to a three year contract. His first film was a starring role in
"Fear in the Night." It was a low-budget project, but it caught the
attention of the public and became a box-office sleeper—a real
hit—and Kelley was established as a respected actor. Shortly after
that he made "Variety Girl" and he was on his way.
A couple of years later Kelley and Carolyn decided to try their luck
on the New York stage. While Kelley sought work, Carolyn got a job
in the main office of Warner Brothers. He found work on stage and in
live television, and after three years they returned to Hollywood.
He landed a part in a "You Are There" episode. That part led to
another and another. Kelley's exceptional performance as Ike Clanton
in the episode "Last Gunfight at OK Corral" was his first role as a
heavy and it brought him three movie offers.
For nine years Kelley primarily played heavies and found them
interesting and challenging. He built up an impressive list of
credits, alternating between television and motion pictures. Afraid
of being type-cast, DeForest broke out of that mold by doing "Where
Love Has Gone" and a television pilot called "333 Montgomery," the
latter written by an ex-cop named Gene Roddenberry. A few years
later, Kelley would appear in another Roddenberry pilot "Police
Story." That didn't sell either, but it led to "Star Trek" and the
unforgettable role of Dr. Leonard McCoy.
After "Star Trek" ended production, Kelley took a long,
well-deserved vacation. He made a few movies and did some
television, but primarily went into retirement. "Acting has become
my hobby and my home has become my heart," Kelley was once quoted as
saying. Kelley went on to write the poem "The Big Bird's Dream," as
well as its sequel, "The Dream Goes On."
Kelley passed away on June 11th, 1999. His wife Carolyn died in
October 2004
Biographies derived and edited from
the Official
Site.

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